In the Mood for a Moonlight Serenade

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What a week! New term, I have a few classes in common with Anna Popplewell (who played Susan in both The Lion, the Witch and the Wardrobe and Prince Caspian) and I went to a concert for the first time! But first things first:

You absolutely have to go see An Education (2009). I was eagerly waiting for this movie for it stars none other than Carey Mulligan who has been one of my favourite actresses for four years. I believe I've seen practically everything she's done and yet she managed to completely blow me away in this extremely well-crafted piece. She deserved a Golden Globe for Best Actress so much, I'm really shocked she lost to Sandra Bullock of all people. I fell head over heels for this film - the story is simple. In 1961, a young woman, Jenny (Carey) who lives in a dull suburb of London and who dreams of going to Oxford to read English meets meets a charming older man, David. He'll show her everything she ever dreamt of seeing: Oxford, Paris, jazz clubs, nice restaurants. Jenny is greatly intelligent, she's not clueless at all (her approach to sex is actually quite refreshing for the era) and shows that intelligence isn't only book-smarts. I don't want to spoil anybody as to the plot of the whole movie but let's just say it's a reflection on education, on privileges and on happiness - all themes very dear to me. The movie is impeccable from beginning to end, the last sentence being so practically perfect in every way. There's also a moment, a tiny moment when Jenny has an important conversation with her headmistress (Emma Thompson, brilliant) about the point of education that is so clearly going to be the clip shown at the Academy Awards that it left me completely speechless. Oh sorry I really have to spoil you to express my feelings accurately, don't read if you haven't seen the movie or don't want to know the end:

Ms Walters: Nobody does anything worth doing without a degree.
Jenny: Nobody does anything worth doing with a degree. No woman anyway.
Ms Walters: So what I do isn't worth doing? Or Ms Stubbs does, or Mrs Wilson, or any of us here? Because none of us would be here without a degree. You do realise that, don't you? And yes, of course, studying is hard and boring...
Jenny: Boring!
Ms Walters: I'm sorry?
Jenny: Studying is hard and boring. Teaching is hard and boring. So what you're telling me is to be bored, and then bored, and finally bored again and this time for the rest of my life? This whole stupid country is bored! There's no life in it, or colour, or fun. It's probably just as well the Russians are going to drop a nuclear bomb on us any day so... My choice is to do something hard and boring or to marry my Jew and go to Paris and Rome and listen to jazz and read and eat good food in nice restaurants and have fun. It's not enough to educate us anymore Ms Walters, you've got to tell us why you're doing it.
(Ms Walters fails to give an answer)
Jenny: I don't want to be impertinent, Ms Walters. But it is an argument worth rehearsing. You never know, someone else might want to know the point of it all one day.

And on that note, she quits school. But after finding out David isn't who he is (and this part is handled so subtly) she realises she can't give up on her dream, she applies to Oxford and after a lot of hard work, she gets in (it's so eerie seeing Oxford on the big screen it's like seeing one's bedroom on the big screen, feels so personal). It made me question a lot of things. (I want to teach but at the time Jenny, because she's a woman had a choice between teaching and being a civil servant, a choice she resented. Did I chose this profession because I too felt it was the only one I could access? Worth thinking about, and terrifying of course). Jenny's fears and arguments make a lot of sense when you think about it. But this movie is incredibly smart - to me, Jenny realises she has to be her own self and discover this life by herself by getting there with a mind of her own, not because she's tied up to somebody else on whom she depends. The last line is all about that, self-discovery, education for the sake of education. Jenny dates other boys and "One of the boys suggested that we go to Paris and I said I'd always wanted to see Paris. As if I'd never been." I relate so much to Jenny it's as if the film had been written for me. One of the best movies I've ever seen, for sure.

I finally read my first play by Oscar Wilde - up till now I had read Dorian Gray, which I thoroughly enjoyed, and I was looking forward to discover more of his writings, so I borrowed a copy of The Importance of Being Earnest from the library. I was not disappointed, this play is really good. It's a classic tale of mistaken identities with a lot of comedy thrown in, most of it provided by the wonderful character of Cecily - a young woman whose personality is so interesting she completely steals the show. She creates her own reality - when she's in love, she writes letters to herself and pretends they're from her lover and then thanks her fictional lover for his letters. "Do you remember when you called off the engagement?" she asks to a confused Algernon, and she produces the letter she wrote in Algernon's name explaining the whole affair as she imagined it.
There's also some great situation comedy in the first scene in which Algernon eats the cucumber sandwiches made for his Aunt and keeps assuring his friend they're for his aunt before helping himself to some more. An absolute delight of a play, it's witty and entertaining and I'm looking forward to reading more by Wilde.

I've just (a few minutes ago, I had typed this post before and now I'm adding this paragraph) come back from the Glenn Miller Orchestra concert at the Oxford Playhouse. I'm at a loss for words. This was my first concert ever and boy did it deliver. Absolutely fantastic. I had a dream seat (row C, seat 12) and couldn't have been more ideally placed. I was by far the only person under the age of 50 that I could see but I do believe I was the most enthusiastic - to be quite honest my mouth might need surgery because I just couldn't stop smiling for two hours and a half! I was often the first one to clap after a song and I was for sure the first person to stand up to clap the whole orchestra at the end of the concert. People were a bit... slow but the row behind me was super enthusiastic as well. It's such a wonderful feeling to be sharing this music with other people.
I don't know if the seating arrangement is the best - I for one wanted to dance so bad during several songs but had to stay still in my seat.
The orchestra was absolutely splendid. Not one mistake, completely flawless and the selection of songs was amazing. Moonlight Serenade live is pure heaven. It outranked In the Mood as my personal favourite and trust me that was a challenge. Insanely catchy and gorgeous during the slow songs, we were treated to a tribute to Frank Sinatra and Dean Martin in the middle and one last rendition of My Favorite Things by Rogers and Hammerstein. Other highlights included Tuxedo Junction and When the Saints Go Marching In. Worth every single pound. Just to give you a clearer picture: I actually cried, literally, when they played their first song. I couldn't believe my luck - most of the artists I love are long dead. And the song was Anchors Aweigh, one of Miller's catchiest. One of the musicians was in Benny Goodman's band for years. Can you imagine?
DO try and see them if you can, it's a terrific experience. I can't believe this was my first concert, it set the bar so high!

See you soon for the next adventure!

Sibylle

Holmes, does your depravity know no bounds?

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♫ Tell me how you feel, riding with James Dean ♫. Hey there! First post of 2010, this is exciting. I've been poorly for days and everybody knows that reading and watching a lot of films is the only good thing about being ill. Happy to get to do both! Woohoo, it's going to be a good year, I can feel it.

Have you met Rumpole? Apparently he's a famous character in a TV show (Rumpole of the Bailey) written by John Mortimer, the show was broadcast between 1975 and 1992. I never saw it. However, the show was so popular that a series of books was published - the first few were novelized versions of the episodes and the most recent ones are new stories altogether. I met Rumpole through the first of these new novels, Rumpole and the Penge Bungalow Murders, published in 2004. I don't think any knowledge of the character is required beforehand - at the very least, I didn't feel lost at all. I don't like mysteries much, or so I thought. Rumpole isn't a detective, first of all, he's a barrister. And he's super engaging, dedicated and funny. A reviewer on Amazon found a particularly hilarious quotation: "Mortimer first describes the appearance of Wystan as one that made him think of a "lobster who had been snatched from a peaceful existence at the bottom of the sea and plunged into boiling water." Followed immediately by a slight retraction, "but I have no wish to be overly critical of my future father-in-law." It's good too to feel privy to a world that's most of all very secret, I loved all the details about court politics interwoven with tales of Rumpole's own private life. I said I wasn't much for mysteries - I've tried Agatha Christie, Dorothy L. Sayers and several cosies, to no avail. I was pleased to find that if the narrative feels right, I can enjoy this genre as well.

This is partly the reason why I saw Sherlock Holmes - I wouldn't sit through an adaptation of one of Conan Doyle's cases but I absolutely loved this movie. This fast-paced, witty, interesting tale is great fun. The acting is superb on all accounts, Sherlock is this close to being portrayed as a misanthrope turned mad and Irene Adler, Irene Adler is nothing short of a true heroine. She outwits Sherlocks, engages with him in witty banter and still manages to stay classy from beginning to end. The plot is tight, Mark Strong gave me the chills, and the score is wonderful, highlighting the absurdity of the story in all the right places (Sherlock deduces, using the same strategy he uses to solve his crimes, how he can win a boxing match) and the end leaves it all open to a sequel which will star none other than Moriarty. If you know a bit about the canon, you'll know how important this character is and I for one absolutely can't wait for the next installment.
I read The Hound of the Baskervilles - I didn't think the mystery itself was all that interesting but Doyle has a talent for depicting an atmosphere, and I do love Watson's voice. He's very earnest and feels like a true friend. I'd like to give an example of this particularity of Doyle's writing:

"But the dining-room which opened out of the hall was a place of shadow and gloom. It was a long chamber with a step separating the dais where the family sat from the lower portion reserved for their dependents. At one end a minstrel's gallery overlooked it. Black beams shot across above our heads, with a smoke-darkened ceiling beyond them. With rows of flaring torches to light it up, and the colour and rude hilarity of an old-time banquet, it might have softened; but now, when two black-clothed gentlemen sat in the little circle of light thrown by a shaded lamp, one's voice became hushed and one's spirit subdued. A dim line of ancestors, in every variety of dress, from the Elizabethan knight to the buck of the Regency, stared down upon us and daunted us by their silent company. We talked little, and I for one was glad when the meal was over and we were able to retire into the modern billiard-room and smoke a cigarette.

"My word, it isn't a very cheerful place," said Sir Henry. "I suppose one can tone down to it, but I feel a bit out of the picture at present. I don't wonder that my uncle got a little jumpy if he lived all alone in such a house as this. However, if it suits you, we will retire early tonight, and perhaps things may seem more cheerful in the morning."

I drew aside my curtains before I went to bed and looked out from my window. It opened upon the grassy space which lay in front of the hall door. Beyond, two copses of trees moaned and swung in a rising wind. A half moon broke through the rifts of racing clouds. In its cold light I saw beyond the trees a broken fringe of rocks, and the long, low curve of the melancholy moor. I closed the curtain, feeling that my last impression was in keeping with the rest."

I love this passage, it's so distinctive. Alright! I think that's it for books and movies. I saw The Lovely Bones too - excellent acting (Saoirse Ronan is shockingly good but then I've known that since Atonement) but it was a mess. I'm watching The Big Bang Theory - it was good at first but it's becoming redundant, it's the same jokes over and over again. This is the first sitcom I've managed to be interested in so this is a letdown once again, it doesn't seem to be a genre I appreciate.

Some music before I let you go! I think I've talked about everybody I love here, so how about a compilation? Puttin' on the Ritz: Capitol Sings Irving Berlin was released in 1992. It's got a lot of excellent singers performing songs by this amazing composer. Judy Garland for Puttin' on the Ritz (one of my favourite songs ever), Margaret Whiting for Heat Wave (fun song, by the way, "Gee, her anatomy/Makes the mercury/Jump to ninety-three.") and Jo Stafford for Play A Simple Melody. I think the artwork of the cover ALONE is worth a few seconds of your time:

I can't find a way to stream the songs - if you have access to Spotify, it's on there, though. Or buy, borrow, steal.

Have an excellent month of January!

I can't get enough of him!

Sibylle

It Don't Mean A Thing (If It Ain't Got That Swing)

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Guess who has tickets to the Glenn Miller Orchestra concert on January 23? That's right! And row C if you please because I jumped on the chance as soon as I saw this performance on next year's schedule. Saying that I can't wait is a massive understatement.
I don't know yet if I want to post a reminder of what I loved this year, 2009 was pretty bad in terms of new discoveries. September was the worst month of them all and it's a wonder I survived it. 2010 is likely to be as busy as I'll be preparing a really hard exam to sit in June 2011 (only 10% of those who sit pass). But none of that now. I have new names to be excited about so without further ado, let me introduce you to...

P.G. Wodehouse. Now why, why did I wait so long? His books are a complete riot. I grabbed an omnibus at random from the library and it ended up being an omnibus of his last two Jeeves and Wooster novels, Much Obliged, Jeeves and Aunts Aren't Gentlemen, but no matter, they stand well on their own, some references to previous stories were lost on me but not so much that I felt lost. I fell head over heels for him. I am SO glad he was such a prolific writer - he wrote several series of books and a whole shelf worth of stand-alone titles. Jeeves is Wooster's sparkling and bright valet (now that's social commentary for you, that the valet should by far be smarter than the gentleman - by the way, did you know that a valet serves a person whereas a butler serves a house? Fascinating stuff). The latter is terribly slow-minded and gets himself into tricky situations Jeeves saves him from. It's seriously hilarious, their dialogs are an absolute delight and Wooster's utterly eccentric world of the idle rich is captivating and extremely well-captured. The books are formulaic so having read one is having read them all. That being said, both Much Obliged, Jeeves and Aunts Aren't Gentlemen are absolutely excellent and I'd be sorry to miss out on any book by Wodehouse, formulaic or not. I'm well aware of the existence of the TV show starring Stephen Fry as Jeeves and Hugh Laurie as Wooster, which I'll most likely start watching very soon. I sure hope they've done something different with the characters as I'll be reading the books and wouldn't want to be told the same story twice.

I also finished Author, Author by David Lodge. I'm not sure it was such a wise choice to start with this book as an introduction to Lodge. The novel is in fact a biography of Henry James in the form of a novel so the voice was really James' and not the author's. It was enjoyable enough, even though I came to dislike the author, the secondary characters were interesting enough to keep me going. At least, it convinced me I absolutely need to try Oscar Wilde next year as I've delayed this discovery long enough.

In terms of movies, I saw a few but only two stood out. Coco avant Chanel (2009) isn't a very good movie - it's a romance, and romances bore me to tears unless they're funny. This one wasn't. Still, Gabrielle's personality won me over, she's a woman who knows what she's capable of, is honest to the point of bluntness, and doesn't accept charity from anyone on the grounds that she's a woman. She's an orphan and laughs at the eccentricities of the idle rich while she makes sure she finds a job to look after herself. At the turn of the 20th century, it's quite remarkable. She freed women from corsets and created pieces of clothing that were both comfortable and classy so women could breathe and laugh.

It Happened one Night (1934) is believed to be the first screwball comedy - it's one of these movies I'd always planned on watching but up till now I was always keeping it for last as I've reached the end of my list of screwball comedies to check out. Claudette Colbert plays Ellie, an heiress who flees her father's tyranny, meets Peter (Clark Gable playing a journalist) on her way to New York and after a while, falls for him. I've expressed my dislike for Clark Gable before but I'll admit he's actually pretty good in this picture. Their exchanges are quite funny for a while as Ellie does everything in her power to escape Peter whom she doesn't like but as in all screwballs, initial negative reaction leads to witty banter which in its turn leads to realization of true feelings. Colbert is a great actress, I'm glad I finally watched a movie with her.

Have you ever felt that a work of fiction had been created for you and just for you? It's actually different from loving a work to pieces, I'm talking about things you had no idea were in you but which a work of fiction made you realize had been here for as long as you could remember but you didn't have enough vocabulary to express it accurately? It happened to me once with The Line of Beauty by Alan Hollinghurst, it was terrifying. And it's happened to me this week again, with music. This time I don't feel terror as much as relief. Django Reinhardt's music, The The Temperance Seven's music and Chris Barber's music are simply me. I've beaten around the bush for so long, feeling it was here, closer to who I was but not quite and then I stumbled upon them and it was a complete shock. Finally. Home. Reinhardt pretty much created gypsy jazz, The Temperance Seven and Chris Barber make the most incredibly catchy big band music ever. The Temperance Seven's rendition of The Charleston may just be my favourite song. I want to learn how to dance the Charleston so bad. It reminded me of Mad Men. In My Old Kentucky Home, an episode from season three, Pete and Trudy dance to that. They're complete show-offs but I would kill to be them for just the duration of this dance. So here are several things:

First of all, a contemporary rendition of Reinhardt's Minor Swing:


Django Reinhardt performing The Sheik of Araby:


Chris Barber and his band performing Bobby Shaftoe:


The Temperance Seven's rendition of The Charleston and Black Bottom:


And finally Pete and Trudy dancing to an instrumental version of The Charleston:





That's likely to be my last post of 2009. Have excellent fun with the rest of December, I'll catch you next year!

Sibylle

Between the lines

I think I'd like to post little updates about things before posting my usual "this is what I enjoyed reading/watching/listening to recently."

I'd been meaning to read P.G. Wodehouse for a long while now and it's only recently that I decided to borrow an omnibus from the library. Long story short - I was in the middle of Much Obliged, Jeeves when I decided to check out the group dedicated to P.G. Wodehouse on LibraryThing, The Drones Club. I read a few posts and a few of my favourites were written by Rule42 so I checked his/her profile which is very detailed and in which he/she gives an extensive list of his/her favourite authors. I agreed with a lot of what was said about literature in general and our tastes (humour, humanism) seem to match quite a bit (even though we only have two books in common, both by Evelyn Waugh (whom I've never liked but I might give him yet another chance, religion is my problem when it comes to him). So I did my research and added a lot of books to my list before heading for the library. Here's my To-Be-Read Pile:

1. Wodehouse Omnibus 5 (to finish, I have two stories left, having read the novels)
2. The Rachel Papers - Martin Amis (Rule42 loves his father but I figured I might as well add Martin's first book to my pile as well)
3. Jeeves in the Offing - P.G. Wodehouse
4. Something Fresh - P.G. Wodehouse
5. Three Men in a Boat - Jerome K Jerome (this one was here before I "met" Rule42)
6. The Little Stranger - Sarah Waters (finally! I had to make a reservation for this one as all the copies are impossible to get hold of unless you specifically have it put aside for you)
7. The Grand Sophy - Georgette Heyer (this one was here before as well, I don't like Heyer much, I've read two books by her and her heroines are so weak, she seems to be a solid favourite for many people though and I'd hate to miss out so I'm giving her another chance)
8. Trouble for Lucia - E.F. Benson (was here before - it's not even the beginning of the series but that's all I could find at the library when I went)
9. The Old Devils - Kingsley Amis (his son Martin's favourite)
10. Crome Yellow - Aldous Huxley (best known for A Brave New World which I couldn't find)
11. The Code of the Woosters - P.G. Wodehouse
12. Author, Author - David Lodge (I wanted Changing Places, which is the first book in a series but this will do, it sounds interesting. This line in the blurb won me over: "Thronged with vividly drawn characters, some of them with famous names, Author! Author! presents a fascinating panorama of literary and theatrical life in late Victorian England.")
13. The Sirens of Titan - Kurt Vonnegut (this line in The Encyclopedia of Science Fiction won me over: "A fine and complex satire about the folly of mistaking good luck for the favour of God". Also, a reviewer on Amazon said "if you've never read Vonnegut, this is the place to start")
14. Swing Swing Swing: The Life and Times of Benny Goodman - Firestone (apparently the definitive biography of the man, I love his music so much)
15. Burr - Gore Vidal (oh dear, can I just say, FINALLY! I've been wanting to read Vidal for the longest time but I never knew where to start. Well, this is it! I was going to start with his essays but couldn't track a decent collection anywhere so I settled for fiction. Burr is the first in a series of chronicles of the US entitled "Narratives of Empire". It wasn't the first to be published but it's the first chronologically. Historical fiction at last. Took me a while to find something I desperately wanted to read in that genre but I'm absolutely looking forward to reading it!)

I also entered a contest here to win a copy of Thank You, Jeeves in its Everyman Wodehouse edition (a gorgeous hardcover book). Fingers crossed as I'm planning on collecting them all in this edition but don't have much money, being a student.

I have to dash - today's Dissertation Day, I'm currently analyzing how the "in the next episode" trailers at the end of Sense and Sensibility (2008) and Emma (2009) participate in the dramatization of the story. Great fun!

I didn't buy or borrow this but I thought the title was most appropriate. Be dangerous with me?


Sibylle

My God! How the Money Rolls in!

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Hey there! This journal always reminds me of how much I love my life. So here I am, listening to the amazing Boswell Sisters and writing about some of my most recent delights.

I read a great book entitled Anything Goes: A Biography of the Roaring Twenties, written by Lucy Moore. I read another book about the 20s earlier this year (also excellent), Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern by Joshua Zeitz. However, while the latter focuses exclusively on women in the 20s, the former is about the 20s as a whole in the United States, or at least the gist of it. It works only if you include precise portraits of precise people and include them in a broader narrative of what happened on a national level. Lucy Moore does that very well, the word "biography" is really accurate - you learn as much about Al Capone's life , Bessie Smith's career (I loved that part of the book) as you do about Black Tuesday, the Scopes trial and the revival of the Ku Klux Klan. I like reading about this decade a lot, as you may have noticed, because in a way, it's a completely anachronistic era, sandwiched between two world wars, full of extremes. I like the cultural aspect of it a lot - a lot of the music and a lot of the films, but Moore makes it clear the decade was only roaring for a certain category of people only. In short, if you were white and could afford the excess, you could probably have a good time in the 20s. Not so much for the majority of people, though. I found it interesting that in her portrayal of the Fitzgeralds, Lucy Moore differs a bit from Joshua Zeitz. While Zeitz's section devoted to the couple is more complete, Moore's understanding of them is perhaps greater. They sure had an interesting life and even if a lot of it wasn't happy, it becomes clear really quickly that they did enjoy a great part of it. That's completely out of topic but the covers to both the paperback and the hardback editions are gorgeous. I could find no information about the artist, though - such a shame. Lucy Moore's bibliography is divided into chapters and she adds helpful comments for people to go further - I certainly will.

I also read two of Philip Pullman's books - The Tin Princess, which is the last book in the Sally Lockhart series, and Count Karlstein, a part novel part graphic novel book. I enjoyed them both, although my favourite book by him will probably forever be The Tiger in the Well, the third book in the Sally Lockhart series. In The Tin Princess, Sally doesn't make more than an appearance as the focus is on a much younger heroine - as usual, the plot is challenging as the political intricacies are very hard to understand but I feel are worth it in the end. The characters are really full of life and colourful even though they're not as developed as the characters from former books are, which does make them look like stereotypes. I thought the end was completely and utterly ridiculous, it reminded me of Edgar Allan Poe, and not in a good way. Still, I found enough to enjoy.
Count Karlstein was a lot better. I was very pleasantly surprised at all the author could do in such few pages. The book was so funny, to begin with. Two girls escape their uncle's castle where a terrible end awaits them and they meet several characters while on the run. It's a parody of Gothic literature, which is always hilarious anyway, and in this the characters are simply wonderful. A woman named Miss Davenport made a lasting impression on me.

I read another good graphic novel - Rapunzel's Revenge by Shannon Hale, her take on the fairytale, in which Rapunzel saves herself and wouldn't be out of place in a saloon. The book was hilarious - fairytale clichés are poked fun at, and the story is highly entertaining. Here's what may be my favourite comic strip:

Now to moving pictures. I haven't seen a movie I liked in its entirety in a long, long while. The Purchase Price (1932) was a complete mess and yet some scenes were enjoyable on their own if you can forget the general structure and think of it as a series of shorts starring one of my favourite actresses, Barbara Stanwyck. However, I literally fell in love with the first part of Blonde Crazy (1931) starring James Cagney and the fantastic Joan Blondell. I must say I was really impressed with James Cagney's acting, I will definitely watch more movies with him. Bert (Cagney) makes sure Anne (Blondell) gets a job and that's how they meet. Very quickly, though, Bert reveals himself as a con with a heart and he convinces Anne to join him in tricking rich people (some very clever tricks there, my favourite being one in which Bert manages to steal a very expensive bracelet by placing it on a rich man's account and then lying about his identity to retrieve it once he goes to the rich man's place to take the bracelet away from the servants). The first half was so enjoyable - I don't think I have EVER seen that much slapping in a movie in my entire life. Anne doesn't take anything from Bert, when he's going to far, her answer is simple: she makes him think he's tricked her too but then she delivers a witty line, slaps him, and leaves. It must happen more than 10 times in the movie. The sexual innuendo is extremely funny as well as Bert's lines are barely toned down. Some scenes are complete classics: at some point, Bert tries to enter the bathroom when Anne is taking a bath, the audience sees both Anne in her bath and Bert at the door, then Bert leaves and tries to find the money Anne has hidden... in her bra. The moralistic end was a huge disappointment, and I do mean huge because I was enjoying myself until they decided to turn this movie into yet another sentimental "I'll wait for you forever while you go to prison for your crimes" story. It deserved better and I wish the director, Roy del Ruth, would have developed his vision until the very end. Shame for a pre-code.

James Cagney and Joan Blondell.

TV-wise, I gave up on two shows: Mad Men and Glee. I've always had a love/hate relationship with Mad Men but you can be sure I'm giving up for good now. This show has no point of view. You can't root for any of the characters - Joan makes quite a lot of racist comments in the second season, Pete is a rapist - I'd like to think the creator is saying that a rapist isn't special, you can't recognize him. A rapist is your milkman, a rapist is your co-worker, a rapist is your neighbour. I don't think the show is that smart, though, let's face it. Don and Betty, I have so many issues with these two I don't even want to go there. And the show has no point of view. It just films that, and moves on to the next shot. I hate this show. That's not being subtle, that's being in denial.

Glee. Oh dear, Glee. I watched it for quite a few episodes because it was catchy (clearly not my type of music as you may have noticed but still), the actors are obviously very dedicated and also I loved the characters. Rachel is one of the main characters - she gets a lot of criticism for being focused, for knowing what she wants and for going for it because she knows that if she's not the one who's going to audition for a part and been given more solos, nobody's going to do it for her. I personally see nothing wrong with that. Go Rachel. No, she doesn't need your help and she does what she wants. So obviously people hate her. Because she's her own person and she's a girl. Quinn is a cheerleader who knows what she wants and she's mean. People hated her at first, and then loved her because, guess what, Quinn is pregnant and she's lost about it. Quinn needs help, so Quinn is loved.
See where I'm going here?
Another BIG issue for me: Emma. Emma is a woman who works at the school the glee club is at. She's in love with a teacher who's married. He's miserable with his wife. Emma is the kind of person I want to shake and yell at. She longs to be with Will, but Will is married. So what does Emma do? She says yes when a complete ass she doesn't even like proposes to her. Because that's what women do in 2009. Right? WRONG. I can't believe they're actually writing a female character who prefers to be married to a guy she hates than be on her own and make her own happiness.
And then there's Sue. Sue is a witty character. She's funny because she's entirely mean and completely focused on what she wants: to win. Sue gets excellent one-liners and everything that comes out of her mouth is quotable and witty. Right? WRONG. Because Sue is so incredibly over-the-top and delivers deadpan lines like nobody's business, she can get away with racism. I'm going to quote an excellent review I found on a blog:

“Oh, but they’re just using humour to defuse tension when dealing with complex issues.” No, they are not, they are using humour to avoid dealing with complex issues. People who really think like this watch Glee and have their norms reinforced, the takeaway from the show being that, yeah, being racist and ableist and sexist is fine and dandy. People who don’t share these norms get to watch Glee and not have to confront the realities of how damaging these norms are, because the show glosses over them to make them all fuzzy and family friendly.

Here’s the thing: When you are in a position of privilege, you really do need to be reminded of that. You need to see the way in which your privilege can be harmful, can be a tool of oppression. If you don’t, you aren’t going to learn about how to manage your privilege. Glee does not make people uncomfortable (unless they are extremely aware of these issues). It just uses oppression as a humour vehicle. Which, can I say, yuck?"

So I stopped watching Glee. A few catchy songs don't make it okay.

Speaking of catchy songs, I know I've already mentioned Louis Prima here but he's truly one of my favourite singers. Louis, Keely Smith and Sam Butera would probably the three singers I would bring with me on a desert island because if we have to die, at least let's die swinging. Their songs are hysterical. Angelina and There'll Be No Next Time are some of my all-time favourites. I love singers who have so much fun they constantly ad-lib. That's music for me.

LISTEN HERE

Sam: But he took me to see
that little friend of mine

Louis: Oh that little motha'

Sam: hahaha DISTRICT JUDGE

Louis: I remember him

Sam: ROOM 229!!

Louis: Yeah! He was crazy!

Sam: He said sam
Your payments are wayyy behind
I said don't worry judge
It won't happen next time

Louis: What'd he say?

Sam: He said mmmmmmmmmmm Next time
There'll... be no next time
You're going to jail right now.

That's it! Tell me quick, wasn't that a kick in the head?

Groucho Marx

Sibylle

Complicated Women: Sex and Power in Pre-Code Hollywood

I'm just back from the library and here's a teaser of things to come, the introduction to what I'm sure will be one of my favourite reads this year, Complicated Women: Sex and Power in Pre-Code Hollywood by Mick LaSalle.

"The best era for women on screen was not the forties, as has been commonly assumed. The best era had nothing to do with ladies with big shoulder pads and bad hairdoes watching their boyfriends light two cigarettes at the same time. It had nothing to do with women apologizing for their strength in the last ten minutes of every film. It had nothing to do with weeping and constant sacrifice and misery.
Those movies may be enjoyable. We may like those movies. But they don't represent the best in women's pictures.
The best era for women's pictures was the pre-Code era, the five years between the point that talkies became widely accepted in 1929 through July 1934, when the dread and draconian Production Code became the law in Hollywoodland. Before the Code, women on screen took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, held down professional positions without apologizing for their self-sufficiency, and in general acted the way many of us think women only acted after 1968.
They had fun. Tha's why the Code came in. Yes, to a large degree the Code came in to prevent women from having fun. It was designed to put the genie back in the bottle - and the wife back in the kitchen."

And that's when you know you've found a kindred spirit. I have a class today and I have a translation to finish but I can't wait to read the entire book!

So when you said "I'll talk to you soon" I thought you meant "soon" like "soon", my mistake

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Long story short: I'll be studying at the University of Oxford till June. I have a second dissertation to write this year (last year was about humour in Jane Austen's Northanger Abbey and Persuasion, this year it's about the 2007, 8 and 9 TV adaptations of 5 of her novels (everything except Pride and Prejudice, thank goodness, and that includes Emma that is currently being broadcast here in the UK as we speak) and I'm taking some classes on the side, just for myself. One of these classes is a general introduction to feminist theory. It's honestly one of the best classes I've ever taken: the lectures are open to everybody, even the general public who doesn't attend the University of Oxford so if you live in Oxford, I strongly recommend joining us - they take place each week on Tuesdays and Thursdays from 2 to 3pm in the Exam Schools (on High Street) in Room 11. The lecturers change every week and we focus on three different authors or directors each time. The lectures are very engrossing and I've learned a lot. They have me wonder why I didn't pick Women's Studies as my major.

Moving out has proven to be terribly time-consuming, which explains my silence. I'm trying to find a new rhythm and it's taking me a while but I'm still breathing and therefore I still need to talk about exciting things somewhere. My #1 reason for picking Oxford was that I could pretend I'd be attending Hogwarts and so far it's working really well. It's so easy to pretend I did receive my letter from Hogwarts - the center of town reminds me of Hogsmeade, it's a medieval village, really. My College is New College, one of the few whose common name isn't religious so I'm quite proud of that, it's really gorgeous. The scene in which Mad-Eye turns Draco into a ferret in the movie adaptation of Goblet of Fire was filmed in my college. You can watch it here. Haven't climbed up the tree yet, though, but just you wait.

The Radcliffe camera. Great loo, helpful staff.

One of the first things I did when moving in was join the local library - it's heaven not having to buy all the books I want to read. The first book I borrowed was Catching Fire by Suzanne Collins. You'll perhaps remember that The Hunger Games, the first book in the trilogy, has been one of my best YA reads this year so I couldn't wait to get my hands on the sequel, Catching Fire. The problem is that Catching Fire is the second book in a trilogy and it shows. The thing is, I wanted to explain precisely why the book didn't live up to my expectations but rather made me even more impatient to read the third one but, as usual, I found somebody else who already said it all for me. Read this excellent review right here: this is what I think.

The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer got such positive reviews everywhere, perhaps my expectations were once again too high for it was really disappointing. It wasn't long enough for me to feel like I knew the characters and books actually don't play that big a part in this novel, the title is a tad misleading, although it was fascinating to learn about the Nazi Occupation of the Channel Islands (you can read something about it here on Wikipedia).
So it seems my only comfort in books for pleasure these days has come from an old friend: Angela Carter, whose Magic Toyshop was simply delightful. Her grasp of language is incredible - I know I've already stressed it but it needs to be said. I completely fell in love with the heroine of the book, Melanie, who has to grow in an oppressive environment and manages to do so in very surprising ways. I was really flabbergasted to find out the book was adapted as a movie in 1987. Out of curiosity, I'm really eager to see the result - the atmosphere of Angela Carter's books is so eerie I always feel animated movies would do them more justice.

Moving pictures now. Not much to say, I'm afraid. It's so very hard to find good things to watch, there are so few and far between. The first season of Skins did make a impression, though. I find this show refreshing - it focuses on a group of teenagers living in Bristol. The direction is completely different from what you're likely to have seen before, it's an odd mixture of extreme realism (in that the topics and the way they're dealt with are authentic and ring true) and very staged moments that gives the show a pretty unique visual identity. My favourite character is a girl named Cassie who is actually responsible for a lot of these staged moments - she's a tragic figure and she brings a Hitchcockian quality to everything she does, which makes for heartbreaking viewing. I recommend the show - even if it's a little too soapy sometimes, I'm very glad I found it.

Cassie Ainsworth played by Hannah Murray, who attends the uni of Oxford as well, it's a small world after all.

Some music to warm your heart. You should know my taste by now so I'm coming up with an artist who's a bit off the beaten path for me, but whom I adore unconditionally. Roy Orbison. Absolutely wonderful, I can't get enough of him. His voice is pure honey and his songs are incredibly generous - he gives and gives and gives. Most artists celebrate or narrate, Roy Orbison just showers the listener with gifts wrapped into notes, it's beautiful. He makes me want to drive my Ford Anglia convertible to new places.

Only the lonely
Know the way I feel tonight
Only the lonely
Know this feelin' ain't right

There goes my baby
There goes my heart
They're gone forever
So far apart

LISTEN HERE

Have a good weekend!

The one and only Emma Thompson. Role model, really.

Sibylle

The principal benefit acting has afforded me is the money to pay for my psychoanalysis.

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I really had planned on posting more often: I found good books to read, good music to listen to. The only thing missing and preventing me from posting anything here was that I couldn't find any good movie or show to talk about. Oh, the anguish. It seemed as if I had watched everything I wanted to watch: everything I tried wasn't good enough to be finished, and I was desperate for some quality. I talked about it with a few people and one of them suggested I should try something different, something I don't usually watch. I wondered what I could possibly discover when I remembered that one of the latest books I've read about flappers contained a whole chapter on silent movies in the 20s. Here you go. Clara Bow to the rescue. So I watched It (1927). What a delight this film is! It's a romantic comedy, really, with a radiant Clara Bow whose smile is contagious. She plays a salesgirl who dates the director of the shop she works at but their affair is complicated when he thinks she's unmarried with a baby (in fact, she's been saying the baby's hers to protect a good friend of hers). It's a surprising film: besides being a commentary on women's condition during the 20s (Clara's character, Betty, never betrays her unmarried friend but it's obvious her friend is not considered good enough by the rest of society), it uses many different sets (they're aboard a ship at some point, it's quite original).It was immensely entertaining - the acting is superb (so different from the one used in talkies) and the score written by Carl Davis is excellent, very burlesque and carefree. Clara Bow is immediately loveable and Gary Cooper even makes a small appearance as a reporter (blink and you miss it).

I am currently watching the show True Blood, an adaptation of the Southern Vampire series written by Charlaine Harris, which I am also reading. Had you told me that a few months ago, I would never have believed it. True blood, a synthetic blood invented by the Japanese has allowed vampires to come out into the open and reveal their presence in society to humans since they can now feed without killing humans. Sookie is a waitress at a bar in Bon Temps, a small town in Louisiana, she meets a vampire named Bill , dates him and discovers a whole new world. True Blood is broadcast on HBO and I think the only reason it's produced by HBO is that True Blood shows things you can't possibly show anywhere else. Because you know what? HBO's best kept secret is that True Blood, or even the book series for that matter, isn't about vampires. It's about sex. The characters think about it all the time, do it all the time or if they don't, they talk about it all the time. The books and the show are different; while True Blood is a good adaptation of the books, it added a lot of material to develop the secondary characters. Both are extremely campy, pure entertainment and completely different from what's usually supported by HBO: it's pure fun, there's nothing deeper than that, don't look for a commentary on contemporary society or even on death or anything else. It is very disappointing on that level, I didn't expect it to be quite so shallow. Each book contains several mysteries and the heroine, Sookie Stackhouse, investigates best as she can while dating a vampire and meeting such creatures as werewolves and shapeshifters. Just so you get the picture: in these books, Bubba, a slow-minded vampire is actually Elvis Presley made vampire when he was still alive but heavily influenced by drugs. Nobody's allowed to say his name. Sookie goes to an orgy to investigate on the death of a friend of hers who attended such parties, vampire blood increases your libido so there's a huge market for it, Sookie disguises herself to infiltrate the Fellowship of the Sun, a cult whose mission is to kill all vampires, there's a pretty funny/creepy exorcism taking place in the show. The books are funnier than the show, but just as graphic in terms of sex and blood (it's everywhere). Both are pretty addictive, although I really don't feel comfortable buying either the books or the DVDs of the show, it's entertaining but nothing else. In fact, I'm very ill-at-ease in this world sometimes: everybody's extremely conservative (homophobia, racism are common and most characters are very religious) and yet extremely liberal about sex. It's an odd mixture, which probably explains the success of the series anyway. I think it's fun and frankly an intriguing story but it doesn't go further than that. It feels good getting this off my chest.

I read a few books before starting the Southern Vampire series, and all were excellent. I saw the miniseries Angels in America a few years ago, and it remains one of my favourite. It was high time I read the play the miniseries adapted. I was not disappointed: I was reminded of how essential this work by Tony Kushner is, it questions so many things, the imagery's beautiful and the whole story is of epic proportions. It tackles many important issues while being rooted in the lives of very real characters. I love this play, it changed so much in my life - my only regret is that I never had the opportunity to see it performed on stage.

Tony Kushner

I also read Singled Out: How Two Million Women Survived Without Men After the First World War by Virginia Nicholson, which was a terrific read, one of my favourites this year in non-fiction. It focuses on the lives of single British women after the First World War when there was a shortage of men, so to speak. It's brilliant in that Nicholson doesn't shy away from any topic: is it possible to lead a full live outside of marriage and children? By giving many examples of women who led very full and interesting lives (one of them says something beautiful when asked what she would most like to do now at the end of her life, "live this life all over again"), by questioning the importance of sexuality, of marriage and how it doesn't relate to sexuality, of freedom from society's conventions in a time when women were not welcome in important jobs, Nicholson masterly focuses on what's important in showing how a generation of women changed how women looked at themselves and at what their purpose in life should be. Writing a non-fiction book of this kind is always a balancing act: many diary entries are quoted, but Nicholson always gives them as examples to justify her point, so the entries are not overwhelming (journal entries can be tiresome to go through). Her analysis is spot-on and I thoroughly enjoyed this book, for which I am quite grateful.

I also started a series of fantasy books, the first of which is called His Majesty's Dragon. Naomi Novik's books have an very good premise: what if the Napoleonic wars where fought primarily by an air force of dragons? Alternate history is such fun, and I didn't know I would enjoy reading about the Napoleonic wars so much. I must try to find some books by Patrick O'Brian very soon. The first book is excellent - we meet Laurence, an officer in the Navy who's compelled to become an aviator when he captures the egg of Temeraire, a dragon. The friendship between the two has some strong homoerotic undertones: even if the books are heteronormative, Temeraire's jealousy when Laurence becomes interested in a woman is unmistakable. The first book focuses on Temeraire growing up and Laurence adjusting to his new life. It was engrossing and very well-written. I couldn't put this book down, the battles are very interesting to read about, surprisingly, and the characters are very strong morally and believable which makes for good fiction. The world Naomi Novik builds is full of details, beautifully evocative. She has a good sense of the period. I can't wait to buy and read the next books in the series.

Okay. Let's see what I can choose for you to listen to while I'm gone. I talked about the Ultra Lounge series on this blog, and thanks to it I discovered Sam Butera, a terrific saxophonist who often collaborated with Louis Prima. Great entertainer. So here he is for your listening pleasure.

LISTEN HERE

Enjoy August!

Sibylle

The lingerie shortage in this country...

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I am really looking forward to the third season of Mad Men. The first episode will air on August 16 and it seems that this will be the best way to end summer. If you've seen the first two seasons, and only if you've seen them, I strongly recommend watching this video, the 10 most shocking moments of the show so far (and god knows there have been many).It's not just a succession of clips since Matthew Weiner, who created the show, comments on each one of them, along with the actors.

Have you ever heard of Adventureland? It was released this year and it seems only Twilight fangirls have heard of the movie, because it stars Kristen Stewart, of Twilight fame. It's a shame, really, because it's a very sweet, real and smart movie taking place in the 80s. Several teenagers work at an amusement park during the summer and develop relationships in a way that's honest and beautiful. I was really moved by this movie and thought the two leads (Kristen and Jesse Eisenberg) acted really well.

July 2009 for me will be remembered as Potter Madness. The plan was this: read the first six books, then watch the adaptation of Half-Blood Prince, then read Deathly Hallows. That was the challenge and I completed it. Rereading a series that's so close to my heart felt like coming home after a very long day. It felt perfect, right, familiar in the best way. I reminisced on where I was when they were published and the thing is, my reactions are exactly the same as when I read them first. I cried buckets at the end of Half-Blood Prince, laughed at the same jokes, longed to be part of this world, cried in The Forest Again, was anxious for the fate of several characters even though I knew what was going to happen, marvelled at Jo's genius. Being completely immersed in this world for 10 days was just what I needed and this has been the best decision I made all year. The movie adaptation of Half-Blood Prince was beautiful. There's no other word. I finished rereading the book on the 14 and went to see a screening on the 15 at 9:45 and it was the best way to do it. The cinematography is gorgeous, the acting impeccable (the trio has evolved and learnt so much, they're actually good now, so is Tom Felton. The adults are impeccable except for Gambon who's never been my Dumbledore). I missed a few things, no Rufus Scrimgeour meant no "Dumbledore's man through and through" which is, in my opinion, one of the best lines of the entire saga, no "Don't call me coward!" which would have dropped a great hint for the next movie, no battle between Dumbledore's Army, the Order and the Death Eaters,(but they added a scene at the Burrow that was really well acted and chilling), not much explained about where to find the Horcruxes, but the good points were excellent so that's easily forgiven. The score is to die for. You can listen to it for free here. I personally have it on repeat and should buy the CD soon. There is a whole chapter at the end that's not adapted but for me a little gesture said it all and I realised I didn't need this chapter, that was a very smart move. The movie is deeply emotional but also incredibly amusing in the right places and effortlessly so, just like the book. The amount of romance (I for one thought Harry/Ginny in the Room of Requirement was really beautiful and I'm not much of a shipper) and comedy counterbalances nicely with the deeply disturbing plot, this movie's a riot in places. I just couldn't believe how outrageously funny it was, and everything taken directly from the book. The whole thing is so deeply tied up with the fifth and seventh adaptations that I think it would have been smarter to shoot them all after the whole series had been released. The actor who plays Tom Riddle is incredible and has nothing to do with the two-dimensional character we had in Chamber of Secrets. Shame they didn't wait. Bottom line is, this adaptation is beautiful and it's not even just a good adaptation, it's a very, very good movie by itself.

I managed to squeeze in the reading of a book after my Potter Madness this month, and what a book that was! Flapper: a Madcap Story of Sex, Style and Celebrity and the Women Who Made America Modern by Joshua Zeitz is delightful and delicious. I heart the 20s, I want to read more about this decade of absolute freedom and "unaffordable excess" (that's the title of one of the chapters) that came before the Great Depression that ended it all. Zeitz's prose is crystal clear and the book super interesting. It's divided into three parts, and even though it's not explicitly put that way, the first part is about how literature influenced and was influenced by the flapper lifestyle (focusing on the Fitzgeralds, what a life they had, but also Lois Long who wrote articles about her flapper lifestyle), the second about fashion (focusing on Coco Chanel) and the third about cinema (focusing on Clara Bow and Louise Brooks). So now all of Francis Scott Fitzgerald's books are on my list (Zelda was pretty much the quintessential flapper, her yearbook read "Why should all life be work, when we can all borrow. Let's only think of today, and not worry about tomorrow."), along with an impressive number of silent movies. Zeitz made so many good points: how flappers thought only white priviledged women could be like them (when African-Americans invented the dances they all danced and the songs they all sung in the Jazz Age), how it all relates to first-wave feminism (feminists despised this carefree attitude to life because flappers pushed limits but never politically, which would have benefited all women if they did), how the twenties and the flapper lifestyle was an incredibly good era for consumerism. About that, and because I've been obsessing over Mad Men, I found a pretty spot-on description of what advertising was about: "Sell them their dreams. Sell them what they hoped for and longed for and almost despaired of having. Sell them hats by splashing sunlight across them. Sell them dreams - dreams of country clubs and proms and visions of what might happen if only. After all, people don't buy things to have them... They buy hope - hope of what your merchandise might do for them." The San Francisco Chronicle said about the book that it "engagingly blends solid academic research with a pop culture sensibility." Truly excellent book, I learnt so much about a whole era and it has left me hungry for more, which is what the best books do, in my opinion.

What should I leave you with? Ooo, I know! How about The Drifters? I listen to them all year long but they're particularly good during the summer. It's so hard to find a compilation of their songs that's not been remixed but I managed to dig something up.

LISTEN HERE

In the park you hear
The happy sound of the carousel
You can almost taste the hot dogs
French fries they sell
Under the boardwalk
Down by the sea, yeah
On a blanket with my baby
Is where I'll be

Have an extravagant summer!


Sibylle